The Richard Flint photography blog was started in February 2007 as a website for new images, website and podcast links, reviews and articles, covering a broad range of photographers and photography.
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The blog contains news, reviews, website and podcast links, photographer profiles, etc. While the photography blog may cover on a wide variety of photographic topics, its main focus is on the processes of image making. From Wet Plate Collodion through to the most recent digital multimedia, the blog’s focus is on the image itself and not the equipment used to get it.
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Visit the photography blog website at- https://www.richflintphoto.blogspot.co.uk
The Darker Skies Photography Blog
A second photo blog called Darker Skies was launched in August 2009 and is a more personal, informal blog. Darker Skies was originally established to cover those darker, dramatic styles of colour and monochrome photography that I love so much.
However, the site has gradually taken on a role of its own as a photo scrapbook, mobile blogging platform and photography blog. The photography podcast also has its main links page based on this site.
The Darker Skies site can be found at https://darkerskies.wordpress.com
This page displays four of the most recent posts from both of the blogs mentioned above.
The Richard Flint Photography Blog
Launched in February 2007, the Richard Flint Photography blog has a large archive of posts covering classic and contemporary photography, influential photographer profiles, links, reviews and more.
|My Billingham 550 - a veteran of many adventures and nicely worn in after 22 years of use.|
For many years, I've wanted to post a review of my trusty 550, the first Billingham bag i purchased 22 years ago, but for one reason or another i never got around to writing the review. To mark the tenth anniversary of my popular 445 review i thought i would finally write that 550 review... so here it is!
|Worn but functional - the original SP 20 shoulder pad|
So to the bag. As i said earlier the 550 is a huge bag that Billingham describe on their website as "our most luxurious bag - perfect for the photographer or the traveller. Even without the two detachable end pockets, it is still large enough to carry several camera bodies, lenses, flashguns and even some overnight stay essentials". The 550 was the first production bag for Billingham and has influenced the style of the bags that have followed. My bag is the classic khaki canvas with full grain tan leather and brass fixings, now all nicely worn in after many years of use and usually associated with the classic Billingham look, however two other colours are available including black and a rather bold Imperial Blue Canvas. The light colour of the bag does mean that the dirt can show but the 550 is very easy to clean - mud can easily be removed by just waiting for it to dry and then brushing it off. Soap and warm water usually removes dirt from the bag and you just leave the bag in the sun to dry. Simple.
|Internal space is good with plenty of protection. Extra partitions can be purchased if required|
|The top zipper is excellent quality and strong . The top rain flap then covers and is fastened with two leather straps|
The internals of the 550 are very spacious and can accommodate a wide variety of camera systems and lenses. The dimensions can be found on the Billingham 550 product page here. If you like carrying a mix of camera systems then the 550 has plenty of room to carry a medium format camera and a DSLR plus lenses. I regularly carry 6x6 and a DSLR in the same bag. The bag's depth is a serious asset with room for a high hammerhead flash gun like the Metz 75. The depth is also handy for keeping kit away from prying eyes and out of the weather . It also helps with what i call 'working out of the bag' - everything can stay within the bag when working at a location so you don't leave anything behind. With the internal partitions, the layout possibilities are numerous, though it can take a bit of trial and error to find that perfect layout to fit in all your kit. Billingham have a range of additional superflex dividers available to purchase but I've largely managed with the partitions that came with the bag. Whatever you need to store - the bag will fit it in. Right at the bottom of the 550 is the bag's 500 Superflex base plate that protects gear from vibration, knocks and the damp. It can also be removed if necessary to turn the 550 into a great travel bag, ideal for weekend trips away.
|The 550 end pockets - large enough for a SB800 flashgun|
|The side pockets can carry a good size flash or lens but i tend to use it for film, filters etc|
The external canvas skin of the 550 looks very classy, is incredibly waterproof and is about as durable as you can get. I've been in downpours with my 550 ( one rain soaked day at Sandringham in Norfolk was especially memorable) and often wished that i could get into the bag as well! Gear remains dry and well protected from water, sand, dust and mud. I mentioned in my 445 review that ' These bags are designed to take all sorts of punishment - the most common of which will be water. The water proof nature of the 445 is remarkable. I've been in storms and downpours which have thoroughly tested the bag, with no problems encountered at all'. That statement equally applies to the 550. A few years ago, during a visit to Norfolk, I accidentally dropped my 445 ( i was with it too i might add!) into thick harbour mud. The camera gear remained totally safe inside. The mud just washed off the canvas bag with the aid of a sponge and a bit of soap. Temperature control inside the bag is excellent too. During hot sunshine the inside of the Billingham 550 remains noticeably cooler thanks to the khaki coloured canvas (darker coloured 550s might not fare as well!) and the thick partition inserts. If the bag is kept closed then the contents will remain cool.
So what about the downsides? Well the bag's physical size can be a bit of a double edged sword. The 550 is of a size that can be quite difficult to carry in confined spaces such as a busy train carriage - especially if the end pockets are attached!. I decided to switch over to the slightly smaller 445, a few years later, partially due to that size issue. Another problem can be the weight. Fully packed the bag can be quite heavy so carrying it over rough ground or long distances is far from ideal for your back!. I found that out when visiting the Highlands of Scotland in 2012 where the backpack type camera bag is the better option. An interesting suggestion from the Billingham website states 'Many 550 owners use them as a safe store for all their equipment and use one of our smaller bags to carry just the specific gear they need to take the shot, going back to the 550 to swap lenses or bodies. One final thing to mention regards the difficulty in carrying the bag by hand when the rain flap is open. The only way is to use the shoulder strap, as the buckles need to be fastened to use the leather handle on top of the bag. That said, closing up the bag each time provides extra security and develops into a good habit.
|The 550 has plenty or storage with a variety of pockets to store away accessories.|
Like many photographers i have quite a few camera bags, many of which have been bought for a specific task or purpose. I would, however, never get rid of my 445 and 550 as they are the best camera bags i own. If you are looking for a big camera bag then you'd be hard pressed to find a bag with the storage space, superb build quality and protection offered by the 550. I certainly love mine.
My Billingham 445 bag review from May 2008 can be found HERE
The Billingham website can be found at https://billingham.co.uk/
The Billingham 550 product page can be found HERE
Performance by Cecil Beaton
|William Henry Fox Talbot, The Open Door, 1843|
Back in July, the BBC Radio 4 show 'In Our Time' recorded a 45 minute programme where the topic of the invention of photography was discussed by an expert panel. The lives and work of Louis Daguerre and William Henry Fox Talbot are talked about in some depth along with the effect that early photography had on society. The various early photography processes, many of which used toxic ingredients that caused ill health for the pioneer photographers, are also discussed in some detail.
The podcast description on the website states:-
'Melvyn Bragg and guests discuss the development of photography in the 1830s, when techniques for 'drawing with light' evolved to the stage where, in 1839, both Louis Daguerre and William Henry Fox Talbot made claims for its invention. These followed the development of the camera obscura, and experiments by such as Thomas Wedgwood and Nicéphore Niépce, and led to rapid changes in the 1840s as more people captured images with the daguerreotype and calotype. These new techniques changed the aesthetics of the age and, before long, inspired claims that painting was now dead.'
It wasn't surprising to find out that early photography was a pursuit of wealthy gentlemen. Photography in the 19th century was an extremely expensive and time consuming business. Even having your photograph taken by the early 'pro photographers' was an expensive luxury few could afford - 300 guineas was charged for a portrait (One Guinea is £ 1.05p) taking it well beyond the reach of the average person.
The podcast is available to stream via the BBC site and there is also a MP3 download which means that anyone outside of the UK should be able to access the programme.
The Invention of Photography pocast can be found at http://www.bbc.co.uk/programmes/b07j699g
The Darker Skies Photography Blog
A photography scrapbook, mobile photo blog... with occasional musings on photography.
A Decade On
Ten years ago today, the Darker Skies photoblog was launched.
A few changes have taken place over the years since that first post went live. Darker Skies was originally just going to feature my black and white landscape work. Gradually I came to the realisation that the blog could do so much more. Little did I know how true that was.
First of Many
Darker Skies was the first blog I set up using WordPress – in this case, wordpress.com. At first, I wasn’t very sure about the content management system. Was WordPress the CMS I was looking for? Did I even need another website? I wasn’t very sure at all that i did!
Ten years and numerous WordPress powered websites later (my own and clients) the answer appears to have been a big yes. Those early steps started a change in my ideas about what a website could do that was desperately needed. A website for a photographer is essential and WordPress is about as good as it gets for creating and running a site. I’ve grown to love WordPress.
Yes, I think so. The Darker Skies site provides some important services for my main website via the Jetpack plugin linkup. Moreover, in the last few years, it’s taken on other roles including helping out with the podcast. It’s an important part of my website family.
I have a Nikon F3 HP that I regard as ‘my’ camera. It’s not a ‘work’ camera like the others I have. The F3 is for my photography. For me. The Darker Skies blog serves a similar function. I should blog more often but maybe quality over quantity is best. Maybe I just need to try harder.
The blog has covered all kinds of topics from travel through to family trauma. Some of the posts have been painful and taken a lot of writing. Others have been a joy. Websites, like life, contain all kinds of moments.
Picking favourite posts isn’t easy so I’m not even going to try. What I would recommend is having a look through the archives list located in the sidebar. I recently looked through and found images I’d completely forgotten about!
Here’s to the next Darker Skies decade!
Photo Zine Released I’m pleased to announce that the photo zine ‘Caught by the Tide’ has been released and can now be purchased from Blurb for £5.29 + P&P. This is the first book released since Sea, Sky, Sand and Street in 2011. Purchase ‘Caught by the Tide’ Click here to go to the Blurb purchase page Zine Details The twenty-four-page magazine has a total of nineteen images taken in Norfolk in 2016. The photographs were taken during a final family holiday with my mother that year. The images conclude a trilogy of mobile-based photography shot in the English county over a number of years starting in 2009. The Zine Website Page The web page giving some background details about the photography plus links to purchase the zine can be found HERE. Related
Looking over at the Christmas market in Edinburgh – December 2018 – on the walk back to Waverley Railway Station.