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From the Archive: The Colwyn Bay Print

By |2019-04-19T12:53:10+01:00March 19th, 2019|Categories: The Test Strip Photoblog|Tags: , , , , , , |

the seawall at Colwyn Bay, North Wales. In the background is the pier that was demolished in early 2019
Colwyn Bay, North Wales, July 1991

Background

North Wales has an important place in my photography history. It was where I purchased my first camera and also where I started taking my first pictures. A few years later, North Wales would also play a role in my quest to get a black and white print I was happy with. The image and subsequent print of the seafront at Colwyn Bay became an important technical milestone moment. I was finally starting to see my improving technical skills as a photographer and darkroom printer.

The image dates back to the summer of 1991. It was a fun and exciting time with plenty of photography experimentation. At the time I was a keen amateur photographer about to head away to art college. Nearly thirty years later it could be argued that, like most photographers, I’m still
trying to perfect my photography skills. The perfect image and print still appear to elude me, although I do think I get pretty close at times.

The image above, a photograph of a print I made in 1992, was the first strong indication that I was heading in the right direction. It was taken along the seafront at Colwyn Bay in North Wales in July 1991, but not printed until the following year. An interesting side note is that the pier seen in the background was demolished in 2018 after years of disuse. Originally built in 1900, the pier had been rebuilt twice due to fire. By the 1980s, however, the condition of the structure had started to seriously deteriorate. A new pier is due to open on the same site in 2020.

Camera and Film

The image was shot using my trusty old Pentax Program A with a 35-70mm Miranda zoom set at the 35mm wide-angle setting. The film used was TMAX 400 rated at ISO800 and developed in either Kodak’s D-76 or Patterson’s FX-26 Universal developer. I suspect it was probably D-76 by that time but cannot be totally sure as my darkroom notes from that period have been lost. At the time I was experimenting with a variety of different film developers trying to find a favourite. In late 1991, I finally came across Kodak’s TMAX developer that I’ve used ever since.

The Print

The technical aspects of the print itself have sadly been lost to the mists of time. It was definitely printed in the darkroom of the art college in 1992 but after that, the details get a little fuzzy. The photographic paper was either Ilford Multigrade resin coated paper OR Jessops’ own brand multigrade paper. I used both types of photographic paper during my college years. The Ilford paper was better quality but the Jessops paper was cheaper and produced good quality prints too.

Since 1992, the print has hung on a wall somewhere in the house as a fond reminder of those exciting early photo making years.

From the Archive: Beaumaris Couple

By |2018-02-12T16:58:17+00:00February 12th, 2018|Categories: The Test Strip Photoblog|Tags: , , , , , , |

This image of a couple, lost in the moment on Beaumaris Pier, is one of my favourite photographs. It was taken in July 2003 during a visit to the town of Beaumaris, located on Anglesey, North Wales. The town has superb views looking over the Menai Staits towards the mountains of Snowdonia.

In 2003, i’d just started changing camera systems, going from a Pentax over to a Nikon system which limited my lens choices. The camera used was a Nikon F4s with a Tamron 80-210mm zoom set to around 200mm. The Tamron lens were especially useful during the stop-gap transition as the lenses featured the the Adaptall 2 mount system allowing a change of lens mount – just buy the Nikon adaptor to go from a Pentax KA bayonet to the Nikon AI-mount. Very handy and affordable as AI mounts could be found on e-Bay for under £20 each and you could sell the old KA ones!

Film stock was Ilford FP4. At the time i was using a mix of FP4, HP5 and Kodak Tmax 400 for black and white work. I later decided that I preferred the tones of HP5 film instead and went over totally to Ilford. An occasional roll of T-Max can be found in my camera bag though. T-Max dev has remained my film developer of choice , a constant in my black and white photography since 1991.

I’ve always loved the framing and the even use of space within the picture. From the handbag placed on the seat on the left, past the couple to the telescope, and even the harbour buoy on the right hand side, everything seems to be in its proper place. The picture is well balanced. The slight mist that day also helped create this dream like shore across from the couple. The picture just came together perfectly. For me, it represents the special moments within a relationship – sharing moments, places and feelings with someone you love.

The couple themselves were lost in the moment and had no idea i was there. I’d seen them as i approached the pier and i sped up slightly to make sure i caught the moment. The body language was just fantastic. They stood like that for some time, just looking out to sea, and i was able to get around five or six frames before i moved on.

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