Featured Gallery

Featured galleries taken from the Richard Flint Photography portfolio

Arran and Kintyre

By |2026-04-29T11:25:04+01:00September 21st, 2024|Categories: Featured Gallery, Portfolio Galleries|Tags: , , , , , , |



Scotland in Miniature

Arran and Kintyre. From the mountains to the north of the island, and the lowlands to the south, the Isle of Arran has often been referred to as a Scotland in miniature. Located in the Firth of Clyde, Arran has it all and is easily accessed by ferry. After spending a week on the island I have to agree. Like Scotland itself, the Isle of Arran is a great place to visit for a photographer. The images in the gallery also look at the nearby neighbour of the Kintyre Peninsula, a long strip of land that also has the feel of living on an island, even though the A83 guides you through the magnificent Argyll and Bute landscape to reach Campbeltown.

Over the Sea to… Arran

Arran and Kintyre. Leaving Ardrossan Harbour for the Isle of Arran aboard MV Caledonian Isles
Leaving Ardrossan Harbour

The Isles of Arran is located in the Firth of Clyde and can be reached by using the regular ferry service from either Ardrossan or Claonaig.. The journey across to the island was made using the MV Caledonian Isles route to Brodick on a very humid and hot day. The ferry was busy and most passengers seemed to take advantage of the breeze on deck as the ship made its way from Ardrossan to Brodick, a trip of around one and a half hours. When we think of transport we usually think of cars, buses and trains but across Scotland ships act as a vital lifeline for island communities and the Isle of Arran is no exception.

There are problems with ferry service as the strain of running a service with an ageing fleet takes it toll. Plans to renew the Caledonian MacBrayne fleet have seen costs soar, delays incurred and news headlines made as the current ferry routes encounter cancellations and changes to timetables due to increasing maintenance challenges. The original plan had been to travel on the Ardrossan to Campbeltown ferry until the entire route for 2023 had been cancelled due to a fleet shortage. At the time of writing (September 2024), MV Caledonian Isles has been out of action most of the year.

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Passing Ships in the Day and Night

Arran and Kintyre. Paddle boarder traveling across the bay at Whiting Bay
Paddle boarder traveling across the bay at Whiting Bay

The Isle of Arran has a close knit community feel to it as soon as you arrive. Tourism plays a major role in the local economy as it does in many parts of Scotland, but the paddle boarders often shares the Firth of Clyde with container ships coming in and out of Port Glasgow. The Firth of Clyde has some of the deepest sea channels in Northern Europe. The close proximity to the mainland and relatively easy access to Glasgow seems to be an aspect of the isle of Arran’s location that appeals to many visitors. Why travel long distances when you can have everything on one island.

The weather may also be a factor. A series of images were taken during a very calm, quiet evening at Whitling Bay. There was barely a wave in the sea and no sound to pollute the experience. Just sitting on the picnic bench (somewhere to put the cameras) and watching the world go by, the waves gently coming in, seemed to help recharge the batteries. It was the perfect place to gather thoughts and dispense with the cacophony of modern life. The next day, however, could see larger rolling waves along with gusty winds blowing along the Firth and bringing squally showers that would quickly arrive and then disappear. Having a car to dash to was a great way of avoiding a soaking. The gusty winds provided the perfect opportunity to blow some of the cobwebs away. The images taken in Claonaig at the end of the gallery were exhilarating to take as the waves crashed against the shoreline. Even the ferry had gone over to the winter timetable.

Whisky and Cheese

Arran has two distilleries on the Island (both owned by the same company Arran Distillers) with the Lagg whisky distillery located on the south coast of the island and the Arran whisky distillery located in Lochranza to the north. As to which whisky you may prefer, well that’s all in the tasting and your own tastes but for me the Lagg was my preferred choice.

Arran is also known for its cheese, which I have to say is absolutely fantastic. Arran cheese is available in a variety of flavours, oak smoked was my favourite, and you can even get to see the cheese being made through the window in the shop. On average 1500 cheeses per day are made each day.

Island in the Mist

The photograph of the island of Ailsa Craig was taken on one such squally day where the rain could be seen making its way towards you over the sea. The conditions added an unusual light to the image as well as a softness in-between the downpours with even a little sunshine poking through the clouds briefly before dark clouds rolled in again . Located some 16 kilometres from Arran, the imposing island looks like it should be in a movie, however, it does have an interesting history which includes the quarrying of microgranite to make curling stones. The island also acts as a bird sanctuary, providing a home for huge numbers of gannets and an increasing number of puffins.

Aye See You in Everything

One of the more unusual photo finds was of graffiti on an old picnic table located a couple of miles outside of Brodick. The battered old table had seen a lot of picnics and was scratched, faded and even burnt on it surface. Close to the centre of the table were the words ‘Aye see you in everything‘ which immediately caught my attention. I’m not really sure what to make of the statement. It seems a little sad, as though it refers to a long lost love with the writer desperately wanting to tell the world what they think. I asked others and some found it rather creepy, so it can be read in a variety of different ways.

The photograph also reminded me of a graffiti image I took for the Sea, Sky, Sand and Street project back in 2011, although that message was very different.

Kintyre and Campbeltown

At the top of the Isle of Arran stands the ferry port of Lochranza which connects the island to the Kintyre Peninsula. The ferry that takes around 30 minutes to cross the Firth to Claonaig. Originally the plan had been to return to Ardrossan and travel by ferry to Campbeltown, but earlier in the year the summer route timetable had been cancelled due ship availability issues. There was simply no spare ferry to complete the route .The Campbeltown route was cancelled again in 2024 for similar reasons.

The drive down from Claonaig to Campbeltown is recommended and only takes around an hour. Considering the proximity of Kintyre to the Isle of Arran, both places have their own very different landscape and vibe. Often it feels like your on an island off the west coast of Scotland, rather than on a peninsula. Campbelltown is famous for its whisky distilleries with both Springbank and Glen Scotia being based in the town.

The A83 road takes you towards Campbeltown and passes through an amazing landscape and coastline giving plenty of excuses to stop and take in the view. The wide variety of homes, sometimes static caravans or cabins located along a large stretch of the coastline, were a notable addition to the landscape.

A Photographer’s Memorial

Tucked away in a Campbeltown side street is a fantastic memorial garden to Linda McCartney. Paul McCartney had purchased a farm near Campbeltown in 1966 during the heyday of The Beatles, and became the most famous resident on the Kintyre Peninsula. He even wrote a song about Kintyre that became a big hit in 1977.

In November 2002, around four years after Linda’s death, the Linda McCartney Kintyre Memorial Trust opened a memorial garden in Campbeltown near where the family’s Scottish farmhouse was located, complete with a bronze statue. I had a brief visit on my final day in Campbeltown and loved the serene calm of the garden. I will definitely make a return visit. I’m not a fan of headstones or graveyard memorials. I much prefer living memorials such as Linda’s garden, the Commando Statue near Spean Bridge in the Highlands or even the Lancaster, Hurricanes and Spitfires of the Battle of Britain Memorial Flight.

Linda’s photography is well worth checking out, and I’d especially recommend, if you a fan of sixties music, the sixties section of her website with great portraits of The Beatles, Jimi Hendrix, The Rolling Stones, The Doors and more.

My Favourite Image

The weather beaten door at Number 81 on a Campbeltown street
The weather beaten door at Number 81

Both Isle of Arran and Kintyre locations provided fantastic opportunities for photography so I’m going to cheat slightly and pick two.

My favourite Isle of Arran image has to be of the conversation at the bus stop in Lochranza. The scene just appeared front of me as I tucked into some tea and sandwiches at a café directly across from the bus stop. Initially I thought the two people in the bus shelter were waiting for one of the busy island buses, but after the conversation stopped, the couple gathered their things and started walking again. It turned out to be just a couple of walkers taking advantage of the chairs placed in the bus stop. It’s quite a common sight in many bus stops across the Highland and Islands of Scotland. I took two shots – one with the camera and the other wider one with the mobile phone. The mobile image is the prelude to the conversation with one couple still sat at the café table, that also happened to be a barrel.

The Doors

The second chosen image was taken on a Campbeltown street of an extremely weather beaten door at number 81. By the look of things, the door and walls had not seen any paint in a long time. The textures stood out from the wall and there was just a sense of time and also sadness at the state the door, walls and building had got into. No maintenance and the Scottish weather had done the rest.

A second door image shows the once bright blue door of number 107. The paint is peeling off and the locks appear to have seen no use in many a year. I just liked how the colour still had some power even though the door hadn’t seen paint in a long time. Time and the weather had taken its toll but the door still stood against the elements. I just wonder when either of the letter boxes last had a letter through them.

Photography Prints

If you would like to purchase a print of one of the photographs seen in this gallery, the Richard Flint Photography RedBubble store has a wide range of images available.

Framed prints, canvas prints, art boards, metal prints, acrylic blocks plus lots more can be found on the RedBubble store HERE.

Northumberland: Castles and Coast

By |2026-04-23T10:04:17+01:00February 28th, 2024|Categories: Featured Gallery, Portfolio Galleries|Tags: , , , , , , |



Northumberland: Castles and Coast

Over the years, the northern county of Northumberland has played a pivotal role in my life as a photographer. It remains my favourite English county due to its rugged landscape and fascinating history. The landscape, shoreline, castles and history of Northumberland come together to create the perfect canvas for photographers.

Around the same time as my visit, the photojournalist John Tordai visited the county as part of the Photographer’s Britain book series. Tordai had been brought up in Northumberland and the book was a fond look at the landscape, people and history of the ancient county. The fantastic documentary images remain a big influence on my work to this day. A small selection of images from earlier visits will be added to this gallery at a later date.

Northumberland

Northumberland: Castles and Coast. The flag of the historic county of Northumberland
The flag of the historic county of Northumberland

To say that the county has a rich history would be a bit of an understatement. As a border county with Scotland, Northumberland has seen its fair share of events that have defined the county’s history. The south of the county saw the rise of the Industrial Revolution with shipbuilding, coal mining and armaments manufacturing.

Cragside House near Alnwick is an example of the wealth generated during the Victorian and Edwardian periods. it is the north of the county, however, that I’ve always found more fascinating with the castles, coastline and rugged landscape providing a lot of source material for the photographer to work with.

Once you get out into the more rural and rugged areas of Northumberland it comes as no surprise to find out that the Northumberland is the least densely populated county in England. Northumberland also has more castles than any other county in England, including those at Alnwick, Bamburgh, Dunstanburgh, Newcastle and Warkworth.

Bright Light and Bumpy Seas

The weather certainly did smile on me that week. A mixture of blue skies and clear sunshine combined with occasional more moody and darker weather. The light quality was just perfect and that helped with finding photographs in the locations visited. I had wanted to visit Lindisfarne, otherwise known as Holy Island, but time and tides got in the way. Making the most of the time on the island would have been tough due to a very early low tide. An exciting alternative idea for a return is to take a boat trip along the coast from Seahouses to Lindisfarne where the boat docks to let people look around the ancient island. Something to consider on another visit.

The sense of emptiness is always there with Northumberland. The beaches especially provide a space to be able to wander off and barely see another human for some time. Bamburgh Castle has always been a great place to try to photograph the iconic building in a new fresh way. The first images were taken from a grassy dune infested with midges around a mile south-southeast of the castle back in 1992.

Some fifteen years later the photographs were taken close to and around the castle in the village of Bamburgh. For the most recent images, the location was further along the beach heading towards the distinctive Bamburgh lighthouse near some brightly decorated World War Two sea anti-tank defences painted as Rubik’s cubes, dice and toy bricks.

The biggest challenge and thrill came with the tour boat out to the Farne Islands. The wind had made the sea swell rather bumpy which made using a camera just a little more difficult. The movement of the boat and the use of an 80-200mm lens made framing the image in the viewfinder a game of timing and chance. Just the removal of a solid physical foundation to compose and shoot photographs made it so much more of a challenge. The only respite from the waves was as the boat got closer to the shore of the Islands where the waters were calmer.

RFP Podcast: Northumberland Castles and Railroad Landscapes The Richard Flint Photography Podcast

In the podcast. Details on April's visit to Northumberland and photographing a couple of fantastic castles, the landscape, and more. Streamlining work on the website, to make the site a little more slick and light, and the problem with old WordPress plugins. Instagram and Twitter thoughts and RFP's social media future. The podcast link is for the excellent Railroad through the American landscape video work of Acme Cinematography on Youtube Podcast link https://www.youtube.com/@AcmeCinematography

Bonus Podcast: Favourite Northumberland Photograph Pt2 The Richard Flint Photography Podcast

A bonus podcast talking about the first of two favourite photographs shot in Northumberland in late April 2023. The image of the harbour at Seahouses is my second favourite photograph. View the photo at darkerskies.wordpress.com/podcast

Super Fast Puffin Flyer

If you enjoy a challenge then try photographing a puffin in flight. It’s not as easy as it sounds. The Farne Islands has a vast population of Puffins numbering around 37,000 pairs whose agility in the air is quite incredible.

Although the puffins seem rather awkward on land they come into their own when they are in flight. They rarely fly in a straight line, Weaving and bobbing in the air at what seem incredible speeds, makes the task of getting a shot of a puffin in flight with a telephoto lens extremely challenging. I took many shots but came away with the opinion that it would take a lot of time and practice to get the photograph I’d be happy with.

The Guillemots colonies were easier to photograph from the tour boat and I was especially pleased with several of the photographs. I even managed to get one with a flyby from a passing guillemot. Fortunately, the movement of the boat was less energetic than further out to sea which helped reduce the problems of correctly framing images. I did wonder how some of the more dedicated bird photographers with their big lenses had got on. I’d found it tricky shooting with a 200mm let alone a 400mm or more.

The Darling Lighthouse

The Longstone Lighthouse looked fabulous in its red and white paint with a blue sky background. The tour guide even pointed out the window that had been Grace Darling’s where she had seen the wreckage of the Forfarshire, a ship carrying 62 people. The Forfarshire had foundered on the rocks and broken in half; one of the halves had sunk during the night.

Grace Darling, aged just 22, and her father, William, determined that the weather was too rough for the lifeboat to put out from Seahouses, so they took a 21ft rowing boat across to the survivors, covering a distance of nearly a mile (about 1.5 km). Darling kept the coble steady in the water, while her father helped five survivors into the boat.

Grace’s story after the rescue is sadly a short one. She died from tuberculosis four years later. During that time she became a national heroine for her actions during the rescue. Both Grace and her father were awarded the Silver Medal for Bravery by the Royal National Institution for the Preservation of Life from Shipwreck, later named the Royal National Lifeboat Institution (RNLI).

Monochrome or Colour?

A number of the images in the gallery are in black and white, in some cases next to the colour version of the same image. I’ve added both versions because I couldn’t decide on which I preferred. Some images just worked better in black and white. I do enjoy working in both colour and monochrome and I can see myself doing more of that in the future.

The Mull of Galloway Gallery provided a valuable lesson in not trying to limit the work created to just colour or monochrome. I have found a good workflow for black-and-white images, after probably too long a period of being too set on digital colour photography and being unsure about what digital black-and-white could deliver. It’s just about experimenting and finding some process that delivers the result you want.

The landscape of Northumberland lends itself to monochrome which is one reason why it was used for the Northumberland: Castles and Coast. There is a bleakness, a harshness to the landscape and coast that draws you in.l

My Favourite Image from Northumberland: Castles and Coast

Northumberland: Castles and Coast, A couple embrace on an empty beach at Alnmouth in Northumberland.

So many great shots were taken during the week-long visit to Northumberland. I recorded a couple of podcasts detailing my favourite photos, and to be honest I cheated and picked two. For this page though I’ll stick with one image – the couple on Alnmouth Beach.

There are two versions in the gallery. One colour and the other the image I’ve chosen. I like both but prefer the monochrome tones better. I think it concentrates the viewer on the couple without the distractions of the yellow, green and blue tones of the colour version.

There is also something else there. Photographs usually say a lot about the photographer who has taken the image. The sheer sense of fun and joy shown by the couple adds an element of envy. Who wouldn’t want to be young and in love again? Are they embracing because they have just got engaged? Or is it because they are just having some fun on an empty beach, enjoying the distraction-free moment of just being together?

We’ll never know.

Photography Prints

If you would like to purchase a print of one of the photographs seen in this gallery, the Richard Flint Photography RedBubble store has a wide range of images available.

Framed prints, canvas prints, art boards, metal prints, acrylic blocks plus lots more can be found on the RedBubble store HERE.

Southerly Point: The Mull of Galloway

By |2025-08-18T10:51:37+01:00October 11th, 2021|Categories: Featured Gallery, Portfolio Galleries|Tags: , , , , , |



Gulls, Gales and Grandeur

The Mull of Galloway is Scotland’s most southerly point with panoramic views across the Irish Sea to the coasts of England, Scotland, the Isle of Man, and Northern Ireland. The photography in the gallery covers the Mull of Galloway but also extends out over the nearby Rhins of Galloway to include locations such as Port Logan and Portpatrick.

The visit to the Mull provided a great opportunity to see one of Scotland’s most beautiful coastal areas but there were a few surprises I wasn’t expecting. The Mull has a remote feel when you arrive. Stranraer is only 28 miles away and yet it feels like a Scottish island.

Big Screen

Film and TV productions have certainly tapped into this ‘Hebridean feel for several productions including BBC TV’s Two Thousand Acres of Sky and the 2018 film The Vanishing which used a variety of locations around the Mull and Rhins of Galloway. Port Logan was used in both productions to create a remote Hebridean location. The Mull of Galloway lighthouse also features heavily in The Vanishing.

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The Lighthouse

The Mull of Galloway lighthouse stands at the end of the Mull and can be seen as you drive along the coast. The lighthouse was built in 1828 with the lighthouse becoming operational in 1830. Constructed by engineer Robert Stevenson, the white-painted round tower is 26 metres (85 ft) high. The light is 99 metres (325 ft) above sea level and has a range of 28 nautical miles (52 km). It is an excellent example of the lighthouses engineered by the Scottish engineer Robert Stevenson during that period.

Stevenson’s most famous lighthouse remains the Bell Rock lighthouse built in 1810 off the coast of Angus, Scotland. It is the world’s oldest surviving sea-washed lighthouse. The construction of the Bell Rock lighthouse boosted Stevenson’s career and he (and later his son) went on to build many more lighthouses around the coast of Scotland.

The Foghorn

The lighthouse is the only fully operational foghorn in Scotland. Designed to run automatically after being started, the foghorn uses compressed air to sound a warning. Foghorn use ceased in the early 1990s as technology provided other options for navigation in low visibility. Fortunately, I had the privilege of hearing the foghorn which was oddly a very moving experience. The haunting deep note echoing across the water felt very lonely like a foghorn calling out and then waiting for a reply from another foghorn. Only no reply ever came. Hopefully, this working piece of nautical audio history will continue calling out for many years to come.

Black and White Photography

The photography style took some time to gel with this project. Originally the images had been shot to produce colour photographs. During the editing process, however, it became clear that colour wasn’t the right direction to take the project. Several colour images did work and have been included in the gallery but others lacked visual impact. The final decision to produce black and white images didn’t come until several months later during an image editing session. Sometimes a bit of experimentation and improvisation comes into play and produces the required results. Photography is all about experimentation and challenging yourself and the Mull of Galloway Images certainly managed to do that.

I’ve always loved black-and-white photography. It sees the world in a very different way and for many years I was purely a black-and-white photographer. Digital photography has made the creative process of black-and-white photography so much easier. Toners, different film and paper styles are just a click of a button away. Experimenting is so much easier and if you don’t like the results you can revert to a previous version. That said, I do look back at the Norfolk project with its gritty black-and-white photography with a great deal of fondness.

Copper Tones

The crisp tones and contrast in the images were the style I wanted for these images. A copper toner setting was used to give the images some warmth. For many years I used selenium toner on the photographic prints to create deep rich tones. I think the use of the copper toner in these photographs stems from that. I did try the selenium setting in Photoshop but preferred the warmer hues of the copper.

Bonus Podcast: Mull of Galloway, Scotland – May 2021 The Richard Flint Photography Podcast

A special bonus podcast recorded on the Mull of Galloway in Scotland. Three separate recordings made over four days while photographing the Mull lighthouse. The weather conditions were fine but very windy which added to the fun of recording the podcast. Listen out at the end for the Mull Of Galloway foghorn!

Battling the Elements

Photographing the Mull of Galloway came with a few challenges. The weather was probably the biggest factor with rain and strong winds being close at hand. Early on in the stay, a force nine gale was encountered that brought home the exposed nature of the Mull of Galloway coast. The sturdy lighthouse cottage I was staying in did not indicate the ferocity of the wind and rain. Photography was nearly impossible in those conditions. The wind and rain hurt as they blasted your face! It was some of the worst weather I’ve ever encountered but I imagine that lighthouse has seen worse!

Photographing the lighthouse at night was especially complicated by the wind. The violent gusts caused the tripod to vibrate very slightly – not ideal when shooting slow-exposure still images. Timing the exposures for a lull in the wind provided the best solution but the wind was a very unpredictable adversary. The violent weather did create wonderful skies though, full of layered clouds that created light shafts over the sea, shadows over the land or just added wonderful textures to the skies. As with all landscape photography, the trick is to be prepared and adapt to the weather conditions.

Fort Victoria class Auxiliary Oiler Replenishment (AOR) Ship of the British Royal Fleet Auxiliary off the coast of the Mull of Galloway
Fort Victoria class Auxiliary Oiler Replenishment (AOR) Ship of the British Royal Fleet Auxiliary off the coast of the Mull of Galloway

My Favourite Image

Many photographs stood out from the project. I especially loved the light and shadow images that visually captured the fast-moving changes on the Mull. Quite a few images also had impressive skies that seemed to be a common sight around that area. Winds, tides and the landscape create wonderful dramatic panoramas. However, the image I’d choose as my favourite caught one of the many ships moving through the area. If a camera was essential to capture the landscape then a pair of binoculars was just as important to take a look at the shipping traffic passing through the Irish Sea.

My favourite photograph is of the Fort Victoria class Auxiliary Oiler Replenishment (AOR) Ship of the British Royal Fleet Auxiliary off the coast of the Mull of Galloway. The ship was waiting offshore one evening with a wonderful cloudscape behind it. The colour original was pretty good but the photograph only came to life when it was converted to black and white. The tones and textures of the sea, coast and sky came out providing a wonderful atmosphere to the photograph. The next morning the ship had gone.

Photographing Scotland

Scotland provides so many opportunities for the photographer. The country’s diverse landscape moving across the lowlands to the Highlands continues to inspire my photography. The coastal areas, such as the Mull of Galloway, also offer up constantly changing vistas affected by the winds and tides. The human interaction with these places is what fascinates me.

Fortunately, the Scottish Borders are around an hour’s drive from where I live. The opportunity to regularly continue photography in southern Scotland is there. The northern areas also include plenty of potential. The Outer Hebrides is one area of interest for future project development. It’s going to be a great project to contribute to over the coming years.

The photography comes from a mix of mediums including mobile photography. Instagram has been especially useful for showing images as journeys have progressed. The Two Towns and Seven Hills photography are offshoots of this project looking at the city of Edinburgh.

Plans include the development of some photography books, large-format photography, multimedia, and more.

Related Galleries

The photographs in this gallery form part of the Scotland: Lowlands, Highlands, and Islands project.

My 2015 Edinburgh photograph called ‘The Two Towns’ can be found HERE

The Edinburgh: Seven Hills project can be found HERE

Photography Book

 Southerly Point is now available to purchase as a book via my Blurb store The 44 page photo zine contains forty images from the project and is available for £12.80.

Photography Prints

If you would like to purchase a Mull of Galloway print, the Richard Flint Photography RedBubble store has a wide range of images available.

Framed prints, canvas prints, artboards, metal prints, acrylic blocks plus lots more can be found on the Redbubble store HERE.

Scotland: Climbing Ben Nevis

By |2026-04-23T10:29:01+01:00January 8th, 2021|Categories: Featured Gallery, Portfolio Galleries|Tags: , , , , , , |



There is no sport like mountaineering. It is the overcoming of difficulties, the mental climbing, as well as the physical, that give it such a zest. The troubles of life seem to fade away in the presence of the everlasting hills. We may go out tired and worn in mind and body; we return renewed and restored: health re-established and friendships strengthened. Jane Inglis Clark

The high point of 2020… quite literally!

Even a bad year can have its high points. In my case, it was the chance to climb Ben Nevis during a visit to the Highlands of Scotland in September 2020. My experience was rather nicely summed up in the Jane Inglis Clark quote seen above. There were a number of occasions that I came very close to turning around and heading back down the mountain. I’m so glad that I didn’t. As the quote mentions, climbing a mountain is as much about the mind as it is the body.

The weather was the trigger. For most of my stay, the visibility had been poor for climbing Ben Nevis. For at least a couple of days, the summit was not visible from the holiday cottage. I’d have to wait and see if the right conditions appeared. On the penultimate day of the holiday, the right weather arrived. Clear skies and warm too. My old 1990s era Army Bergen, found at an outdoor shop in Norfolk back in 2016, was packed with water (not enough as I found out), dry clothing and food.

It was time to go.

Scotland: Climbing Ben Nevis
A brief rest. Time to take a photograph and enjoy the view

Climbing Ben Nevis

Ben Nevis gets around 150,000 visitors every year with around two-thirds making it to the summit. It is not the easiest mountain the climb up with even the 1883 Pony Track (also known as the Ben Path, the Mountain Path or the Tourist Route) being pretty rough to traverse on foot. The steady stream of climbers was also something of a surprise. The mountain climb is popular. Maybe too popular as the track can become crowded. Oddly on my descent, the track was far emptier. The crowds had gone.

As can see from a number of the gallery photos, walking up the path is sometimes akin to travelling up a steep river bed full of rocks. A walking stick (two would be better!) is highly recommended. Fortunately, I’d packed mine which helped me avoid a serious stumble or even twisted ankle most than once. That doesn’t stop people from running up the mountain with the current record set at 1 hour 25 mins – that’s up to the top and back to Fort William!

Clearing the Mind

Clearing the mind of all distractions is never easy. We’ve all had a lot to think about in 2020 with the COVID pandemic restricting our movements. At times it has felt overwhelming. One of the fondest recollections from that day climbing Ben Nevis is how it focuses you on one single task – to get to the summit. Everything else drops away so you are left with a very simple mission. After the constant stream of bad news throughout 2020 that was a very welcome distraction.

Weighing it all up

The singlemindedness of climbing to the top did have some drawbacks though. The physical effort involved meant that photography was reduced to a secondary priority. At the summit, photo opportunities were missed and I failed to shoot a single bit of video due to a limited timeframe at the summit and recovering from the climb. I suppose that gives me a reason to do it all again just because it was compact and lightweight. Once I reached the summit the DSLR was out the Bergen and shooting pictures.

I would have liked to take more lenses with me but the other factor that came into play is the weight. You have to carry it all the way up and back down again. One camera body was packed along with two lenses – a 35mm wide-angle and my compact and lightweight 80-200mm f5.6. My favourite Nikon 80-200mm f2.8 was just too heavy. As it turned out I photographed most of the climb using my phone just because it was easy and quick. Photo shot… start climbing again.

The Summit

Scotland: Climbing Ben Nevis. Two people standing in the rocky landscape of the summit of Ben Nevis, Scotland.
The view is fantastic but the summit is not easy to travel across

Reaching the summit was surprisingly emotional. The effort of making my way up to the top had not been easy but I’d probably rate it as one of my proudest things achievements. Considering that a couple of years earlier I’d hurt my back so badly that I could barely walk up the stairs, I consider myself fortunate that I’d recovered enough to do the climb.

The summit of Ben Nevis is flat. It almost resembles a rocky moonscape and does not have that classic mountaintop look of Snowden. It is beautiful nevertheless. A single pathway allows you to make your way to the top but otherwise moving around on the summit is a challenge. Sadly my time was limited. I needed to rest and prepare for descending down the mountain so I had around 40 minutes to collect my thoughts, explore and take some photographs.

Two Sticks!

A mountain isn’t climbed unless you return to where you started. The descent was much faster and seemed easier at the start. Within a couple of hours though, I realised it was going to be rough. The impact on the knees as you go down is immense and gradually you feel your knees becoming weaker and weaker. By the end of the descent, my legs felt very much like jelly and I was pleased I had my walking stick with me for that extra support. I just I’d had another! After what seemed an eternity (the final 2 km seemed to last forever!) I finally reached the car park and it was the end of the day.

So would I climb Ben Nevis again? Directly after the climb, I was exhausted and any question of climbing Ben Nevis again would have received a rude answer. A day or so later I felt different. Yes, I would do it all again. I have a better idea of what to expect and could plan better.

For a first climb though, I didn’t do too bad. I would have liked to shoot more photographs and no video recording was not great but that was due to the physical nature of climbing the mountain. Photography is usually a primary concern with a photographer but in some cases, the photography is overridden by much more pressing issues. It was the toughest physical challenge I’ve ever had!

I like the photos that I shot during my visit to the UK’s highest mountain. With no gift shop at the summit selling mugs or fridge magnets, the only memento to be had is a photograph!

Related Galleries

The photographs in this gallery form part of the Scotland: Lowlands, Highlands and Islands project.

My 2015 Edinburgh iPhone photography project called ‘The Two Towns’ can be found HERE

Photography Prints

If you would like to purchase a print then the Richard Flint Photography RedBubble store has a wide range of images available.

Framed prints, canvas prints, art boards, metal prints, acrylic block plus lots more can be found on the RedBubble store HERE.

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