landscape

Upcoming Norfolk Photozine

By |2019-05-21T13:12:33+01:00March 28th, 2019|Categories: News|Tags: , , , , , |

Book Updates

Last month I mentioned two new books that are currently in the works. Progress has continued regarding the images added to Edinburgh: Seven Hills which now includes several images shot in 2015. A final set of images will be shot on the next visit to Edinburgh in April.

The photographs for The Two Towns are in place and only the text for the introduction is required. After some work put in over the weekend, the image credits have been added for the majority of the images. Cover art has also been completed and I’m very happy with how the book is looking.

Norfolk Photo Zine

As a result of the new book designs, a new photo zine has been added to the current new book design list.

Using the working title of ‘Caught by the Tide’ the photo zine will contain nineteen photographs shot during a quickly arranged week-long trip to the county of Norfolk. The visit was a final holiday for my mother after her terminal cancer diagnosis earlier that summer. The title reflects the feeling at the time of being swept along with no power over events.

The zine images are in place and all that now remains is the text for the introduction and image credits. The photo zine marks the third and final book to contain iPhone photography take over the last four years. I’ll be talking more about the zine in the upcoming March podcast.

Release Dates

The photo zine will be released in the next couple of months. The release dates for the other two books remain mid and late summer 2019.

From the Archive: The Colwyn Bay Print

By |2019-04-19T12:53:10+01:00March 19th, 2019|Categories: The Test Strip Photoblog|Tags: , , , , , , |

the seawall at Colwyn Bay, North Wales. In the background is the pier that was demolished in early 2019
Colwyn Bay, North Wales, July 1991

Background

North Wales has an important place in my photography history. It was where I purchased my first camera and also where I started taking my first pictures. A few years later, North Wales would also play a role in my quest to get a black and white print I was happy with. The image and subsequent print of the seafront at Colwyn Bay became an important technical milestone moment. I was finally starting to see my improving technical skills as a photographer and darkroom printer.

The image dates back to the summer of 1991. It was a fun and exciting time with plenty of photography experimentation. At the time I was a keen amateur photographer about to head away to art college. Nearly thirty years later it could be argued that, like most photographers, I’m still
trying to perfect my photography skills. The perfect image and print still appear to elude me, although I do think I get pretty close at times.

The image above, a photograph of a print I made in 1992, was the first strong indication that I was heading in the right direction. It was taken along the seafront at Colwyn Bay in North Wales in July 1991, but not printed until the following year. An interesting side note is that the pier seen in the background was demolished in 2018 after years of disuse. Originally built in 1900, the pier had been rebuilt twice due to fire. By the 1980s, however, the condition of the structure had started to seriously deteriorate. A new pier is due to open on the same site in 2020.

Camera and Film

The image was shot using my trusty old Pentax Program A with a 35-70mm Miranda zoom set at the 35mm wide-angle setting. The film used was TMAX 400 rated at ISO800 and developed in either Kodak’s D-76 or Patterson’s FX-26 Universal developer. I suspect it was probably D-76 by that time but cannot be totally sure as my darkroom notes from that period have been lost. At the time I was experimenting with a variety of different film developers trying to find a favourite. In late 1991, I finally came across Kodak’s TMAX developer that I’ve used ever since.

The Print

The technical aspects of the print itself have sadly been lost to the mists of time. It was definitely printed in the darkroom of the art college in 1992 but after that, the details get a little fuzzy. The photographic paper was either Ilford Multigrade resin coated paper OR Jessops’ own brand multigrade paper. I used both types of photographic paper during my college years. The Ilford paper was better quality but the Jessops paper was cheaper and produced good quality prints too.

Since 1992, the print has hung on a wall somewhere in the house as a fond reminder of those exciting early photo making years.

Picfair Personalised Store

By |2018-09-26T11:51:16+01:00September 26th, 2018|Categories: News|Tags: , , , , , |

Picfair store website screen shot

Earlier this month, i posted news about Picfair’s new print service where images can be purchased as canvas wraps, framed prints and Giclee art prints.

Picfair have followed this up with a dedicated personalised store page for its photographers. The current page design is very simple, but more options for further styling of the store’s layout are planned.

You can visit the Richard Flint Photography Picfair store page at https://richflintphoto.picfair.com/

From the Archive: Mountain Rain

By |2018-05-19T13:41:35+01:00May 18th, 2018|Categories: Blog, The Test Strip Photoblog|Tags: , , , , , , |

Rain over highlands mountains near Bridge of Orchy, Scotland

Photographs are sometimes be a bit elusive. I’d seen this wonderful range of mountains near Bridge of Orchy on previous journeys up to the Highlands of Scotland but the dilemma faced was always the same – where to park! The sheer numbers of people who would stop at the Loch Tulla viewpoint, combined with the size of a car and even the time of day would foil any photography plans on more than one occasion.

One year, arriving at the location the light was just gorgeous. The mountains were bathed in a warm, golden glow with shadows gliding over the mountainside as clouds passed over. Had i been on a motorbike then i’d have probably been able to pull off safely, but in a car there was just no room to get off the road. You win some, and you lose some.

This photograph was taken around mid morning during very changeable weather. The early arrival (stayed locally for the night) helped with finding a car park space, probably also empty due to the rain and wind blowing across the mountains, and just waited for the right moment. The photograph was taken just as another squall of rain crossed the mountain side, lit by a break in the cloud.  The volatile nature of the mountain weather comes across nicely with the light and dark tones of the photo.

This is one of my favourite photographs, a larger print is just above my desk. I love the tone and feel of the picture. I love the mountains too.

The camera was a NIkon D300S fitted with a Nikkor 55mm lens.

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